Now it didn't used to be this way. Prior to 1976, whenever you created "a thing," you had to register said thing with the U.S. Copyright Office. It was an enormous amount of work, bureaucracy and bother. Plus, there were some dangerous loopholes. Your protection only lasted 28 years, and if you forgot to re-register your work THREE DECADES after you created, well, then you no longer owned the copyright. Needless to say, if you were a prolific artist, or just one who's been working for a long time and has amassed a large body of work, then trying to stay abreast of your registrations would be a nightmare. But all that changed in 1976 and it's worked well ever since.
So why does the Copyright Office, certain Internet-based corporations like Google and elements in Congress want to change it?
Well, they'll tell you it's because how we produce and deliver art has changed radically since the 1970s, with most of us now using electronic means to do so. As such, they argue, it's time for a re-think. But really it's about money. Entities like Google, Facebook, etc. have been trying for a while to co-opt our creations through their privacy and terms of service agreements. But if there's not inherent copyright protection for anyone — whether you earn your living as an artist or not — then anything you put out there can be essentially legally stolen and resold. Imagine Facebook running its own stock image business using photos pilfered from their users. How messed up is that?
The last time these changes were attempted was in 2008 and it failed miserably due to the massive defense mounted by artists of all kinds from all over the country. It's time to do that again.
And don't be fooled. This effects all of us. If you create anything, you could lose your rights to that "thing" if these new rules pass. Toward that end, I'm encouraging you to join the defense. I've added some links below to where you can learn more and where you should send letters rejecting any changes to the existing copyright laws. If you want to learn more, watch the attached podcast for details from illustrators Will Terry and Brad Holland. But hurry, the next deadline for comments is July 23, 2015.