Organized as a series of letters written to an unnamed person, Stephen Chbosky's The Perks of Being a Wallflower  walks us through the tumultuous freshman year of a teen named Charlie. The protagonist is writing these missives to someone he doesn't even know, partly because he's lonely, partly because he's codependent, and partly because he has a few things he needs to get off his chest. I suppose its his version of spilling his guts to a bartender, someone who's disconnected from the action and impartial about Charlie's role in it all. And the reader gets to come along for the ride.

Now this book isn't plot-driven and I know some readers hate it when a story takes a very non-linear course without a discernible beginning, middle or end. However, I enjoy books like this and Chbosky does a good job of setting up some early points of tension and then building on them as the book progresses. This all starts with Charlie recounting his grief when his best friend from junior high commits suicide. Charlie feels like he's the only person still grieving the loss and this colors a lot of the other things he experiences. It also paints the protagonist as an unusually sensitive kid. He cries a lot — and I mean a lot! He doesn't seem to be embarrassed about how easily he's moved to tears and initially we're not sure why he's so fragile. We do know that he suffered another loss early on when his beloved aunt Helen was killed in an automobile accident the day before his birthday. While Charlie does have a supportive family, it's difficult for them to understand or even effectively deal with his daily dramatics. What's worse is that he feels like he's being slowly abandoned. His older brother has left for college and his sister's about to follow suit. On top of it all, Charlie's in a new school where he's quickly pegged as a freak. 

Still, Charlie begins to reach out. His language arts teacher is so impressed with his writing ability that he piles on extra assignments and gives the boy a stack of classic novels to read — all of which results in a deep friendship between the two. But things really begin to turn around when Charlie meets Samantha and Patrick, a feisty step-brother and sister duo who take him under their collective wings and provide the nonjudgmental friendship he really desires. Both graduating seniors, Sam and Patrick introduce their sheltered charge to the antics of the Rocky Horror Picture Show, high school parties, hangovers, hash brownies and even his first romantic encounters. But none of this is meant to corrupt the boy. There's true affection between the three friends. Unfortunately, Charlie's so socially awkward that he doesn't know how to be a good friend in return. He stays silent when he should speak up. He mistakes lying for being supportive; and when truthful he's often tragically undiplomatic. Still, the reader can forgive Charlie for all this because we haven't forgotten that there's still something just a little off about him. When it's finally revealed why Charlie's so emotionally damaged, it's handled with great tact and the reader's so invested in the character that you have nothing but sympathy for him. 

The strength of Chbosky's writing is his ability to create a distinctive voice. You can almost hear Charlie resonating through your head with all his inflections, hesitations and peculiarities. He becomes a fully realized person — a surprisingly rare thing in modern young adult fiction which tends to be filled with teenage clichés and stereotypes. This book, like Charlie, is a real keeper.

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Probably everyone should read Homer's The Iliad during the course of their life — if you weren't forced to do so in a high school, that is. But if you can't make it through such unfamiliar language and concepts, do the next best thing and read Madeline Miller’s The Song of Achilles.

This intelligent, poignant and beautifully written book follows the life of Achilles, ancient Greece’s most legendary warrior and a central actor in The Iliad. The novel’s told through the eyes of the hero’s lifelong friend, companion and lover, Patroclus. Banished after accidentally killing another highborn boy, Patroclus finds himself living in the court of Achilles’ father, King Peleus. The king is kind to him, but Patroclus, having been stripped of both is title and his name, is deeply damaged. It’s only when Achilles, a youth as comfortable in his own skin as Patroclus is uncomfortable in his, takes an interest in him that the disgraced boy begins to come out of his shell. Being the favorite of a prince is an enviable position to have, but most do not approve, especially Achilles’ goddess mother, Thetis. Cold and calculating, Thetis is obsessed with the prophecy that her son will go on to be Greece’s greatest warrior, thereby earning himself a place among the immortals. She sees Patroclus as not only being unworthy of the prince’s affection, but actually contrary to his fate. Perhaps the only thing that keeps her from murdering Patroclus is knowing that it would drive a permanent wedge between her and Achilles.  

Achilles however, is a reluctant hero and an even more reluctant killer. When he and Patroclus are sent to study with the centaur Chiron, tutor to other legendary Greeks like Jason and Herakles, the boys at last find the freedom to be themselves. Secluded in Chiron’s mountain retreat, the pressures and responsibilities of court, title and prophecy melt away. Achilles and Patroclus find that their differences complement each other and finally consummate their relationship. This is the start of a lifelong love affair which, though tested by separation, war, pride, and the cruelty of the gods, does not falter. 

The latter half of the book deals extensively with the Trojan war and Achilles exploits there. It is the war that really transforms Patroclus and Achilles, inspiring one to look for ways to help others, the other to become as obsessed with his honor as his callous mother, preferring to see hundreds die before yielding even an ounce of it to another. In many ways, Miller's book reminds me of the best of Mary Renault, whose novels about Greek myth include The Bull from the Sea and The King Must Die. Renault's books are still some of the best on ancient Greek life and widely hailed as classics. I would not be surprised to find The Song of Achilles earn similar accolades in the years ahead.

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Can you believe it's been a decade since not-so-openly gay Simon Spier made the choice — one way or another — to exit the closet? While coming out stories are nothing new, Becky Albertalli's best-seller Simon vs. the Homo Sapiens Agenda created a YA sensation which led to a theatrical version called Love, Simon; and a three-season television show spin-off called Love, Victor. 

You can celebrate the ten-year anniversary of the book with a stunning DELUXE LIMITED PAPERBACK EDITION from HarperCollins, while supplies last. This 400 page edition includes gorgeous specs, making the package as beautiful as the read, and features new bonus content from Becky herself, including emails between Simon and Blue and Oreo recipes from Simon! ORDER HERE.

​If you haven't had the pleasure of reading the book, I'm posting my original review from 2016 below: 

I’ve had the opportunity to review a few books featuring LGBTQ youth which, as you might expect, have ranged from bad to excellent. Some young adult authors are clearly adding gay characters to their books because, I surmise, they feel it’s expected by modern teen and Millennial readers who are historically open-minded on the subject. While tokenism is annoying, it appears to be a waning trend as more and more YA authors like John Green, David Levithan, Maggie Stiefvater and Stephen Chbosky provide us with authentic LGBTQ characters. Now you can add Becky Albertalli happily, gleefully to this list.  

​Albertalli’s Simon vs the Homo Sapiens Agenda is perhaps more accurately a gay romance than a coming out story. The titular character is a 16-year-old high school student who has largely come to terms with his sexuality but is still dragging his feet about coming clean with friends and family. In fact, the only person he’s shared his sexuality with is an unknown classmate nicknamed “Blue” whom he met through his school’s Tumblr page and communicates with entirely through Gmail. The honest missives he shares with Blue are slowly giving Simon more confidence, even though their relationship is inherently dishonest. After all, it's a romance which exists only in a virtual world where people can be anyone they want or anyone you want them to be. Both boys are reluctant to break this spell by revealing themselves to the other.

Yet their carefully cultivated secrecy is endangered when a schoolmate named Martin accidentally intercepts their email exchanges and blackmails Simon into helping him win over a female classmate. When this arrangement doesn’t go as planned, Martin outs Simon on the same Tumblr page where he and Blue met. Rather than caving to this attempted humiliation, Simon owns the truth and with his gay identity now revealed, becomes even more determined to meet Blue in person.

If I have one big criticism of this book, it’s that Simon’s very public outing does not result in any substantial trauma. Although there are a handful of homophobic incidents following the revelation, Simon’s family, friends and teachers are overwhelmingly supportive. While I have no problem showing gay teens receiving the moral and emotional support they deserve, Albertalli notes on multiple occasions that the book’s setting of the Deep South is perhaps not the best place for a young man to come out.  But since Simon doesn’t seem to have any real fear of being ostracized, and in fact doesn’t experience any serious prejudice, Simon vs the Homo Sapiens Agenda sends some mixed signals on this particular subject.

Regardless, the book is proudly optimistic and ultimately resolves itself as a sweet story about a boy’s first love. For gay teens struggling to find themselves, whether they live in the Deep South or not, it’s important for them to have hope through the written word. In this respect, Simon vs the Homo Sapiens Agenda fits the bill nicely.

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