The much anticipate Batman / Deadpool crossover comic is now available. Crossovers between these two historic powerhouse rivals have been rare and the last one was over twenty years ago. As the title suggests, the main feature this time has Batman teaming up with Deadpool to resolve a "metafictional threat" from Cassandra Nova, the Marvel Comics supervillain and dark psychic reflection (mummudrai) of Professor Charles Xavier. (You may recall that Cassandra was the primary baddie in the recent Deadpool & Wolverine film.)

There are smaller team ups as well. Dr. Strange partnering with John Constantine; Nightwing / Dick Grayson and Laura Kinney / Wolverine; Harley Quinn and the Hulk; and Static and Ms. Marvel. All of the storylines are very different in content and tone, varying from weird to whimsical, humorous to somber. The artwork employs the talents from both DC and Marvel and also varies greatly so the book will offer something for everyone — although I personally enjoyed some stories more than others. The Nightwing  / Wolverine team up was especially fun for me, as it reunited two of my favorite Nightwing creators: Tom Taylor and Bruno Redondo. 

The crossovers were published jointly by Marvel and DC and feature a variety of alternate covers. Check your local comic book stores for a copy as the DC version was released earlier this week. 

RELATED FEATURES: Batman Collection | Nightwing Collection | Comics Collections

HERE BE SPOILERS!

Batman: Hush first appeared in Batman issues #608 to #619 between 2002 and 2003. Written by Jeph Loeb and brought to life through the dynamic artwork of legendary DC artist Jim Lee, this story arc stands as one of the most celebrated entries in the Batman anthology. It weaves an intricate tale about Bruce Wayne's past and present, blurring the lines between heroism and villainy. The story does more than just pit Batman against the usual suspects — it challenges the very foundations of Bruce's life and morality.

The story begins with Bruce as Batman pursuing Catwoman (Selena Kyle) after she steals the ransom money meant to free a kidnapped boy. Going up against Catwoman, his on-again-off-again nemesis/love interest/person he just can't quit, is perhaps representative of the overarching theme of Batman: Hush. The story is a landscape of trust and betrayal, depicting Batman's allies and adversaries in shades of gray until even The Dark Knight is unsure who he can trust and who he cannot. During the chase, Batman fractures his skull when his grappling line is mysteriously cut. To treat this life-threatening injury, Alfred Pennyworth follows Bruce's instructions and calls upon the expertise of Dr. Thomas "Tommy" Elliot, a childhood friend. 

Both Bruce and Tommy have similar privileged backgrounds, and both inherited their vast family fortunes at a young age after the tragic deaths of their parents. While Bruce cultivated a public image as an aging playboy to hide his secret identity, Tommy rose to public prominence as a gifted neurosurgeon. Tommy's expertise saves Bruce's life, but their unexpected reunion conjures memories of a complex past filled with unresolved issues and hidden resentments.

It is ultimately revealed that it was Riddler who used the Lazarus Pit to cure himself of a deadly disease when Tommy Elliot was unable to help him. But immersion in the Pit's magical waters had an unexpected side-effect: it provided The Riddler with an epiphany about Batman's true identity. Sharing the revelation with Tommy, the two villains plotted together to bring down their common enemy by manipulating friends and foes alike. 

In many ways, Tommy Elliott represents the antithesis of Bruce Wayne — personifying a path Bruce might have taken had he grown up in an abusive and manipulative environment and been afforded the same wealth and resources. Where Bruce channels his resources and trauma to fight for justice, Tommy capitalizes on his intelligence and wealth to enact revenge. 

(And if you're wondering about the inclusion of Jason Todd, well, his subplot in Batman: Hush was later retconned  in the "Under the Red Hood" by Paul Dini and Dustin Nguyen. See Jason Todd's Empty Grave for more on this.)

​In a nutshell, Batman: Hush is a masterclass in storytelling, blending action, mystery, and character depth. It's a must-read for capturing the essence of Batman's enduring appeal—his resilience, his humanity, and the never-ending battle against the darkness, both external and internal. If there’s one deficit, it’s simply that the plot is often over-complex with too many characters plays a role. Frankly, a simpler plot would’ve move along better. That being said, I give major kudos to Jeph Loeb for really embracing the “Batman as detective” concept. The book does play out like a master whodunit, complete with red herrings and enough clues that the reader can probably figure it out on their own if they’re paying attention. It’s no wonder why Batman: Hush remains one of the most iconic comic series of all time.

OTHER EDITIONS OF HUSH, PART 1: Batman: Hush (New Edition, 2019) , Batman: Hush: DC Compact Comics Edition, Batman: Hush 20th Anniversary Edition, Absolute Batman: Use (New Edition), Batman: The Hush Saga Omnibus

Dick Grayson, the former Boy Wonder is unstoppable as Nightwing — one of DC Comic's most beloved characters! And Nightwing fans can look forward to plenty of new book releases between now and 2026! Available titles in order of release:

The Gentleman's Guide to Vice and Virtue by Mackenzi Lee is a historical novel which appeals on many levels. At times, it is a throwback to the sentimental romantic literature of the 18th century (during which it is set), a peep show into the seamier side of the British aristocracy, an institution well practiced at hiding scandal, corruption and basic human compulsions behind wealth, power and rigid class structure. (If you’ve read anything by Jane Austen you will have some sense of how this highly stratified society works.) At times, it has elements of a modern romantic comedy, with three young protagonists trying to navigate family drama while finding their places in society. Finally, it is an awkward coming-out tale for its aristocratic narrator, Henry “Monty” Montague — although the concept of “coming out” would have been unimaginable during his era.

Monty is the eldest son of a rich British nobleman and heir apparent to the old man’s vast wealth, lofty reputation and stifling social duties. By Monty’s own admission, he’s a constant disappointment to his unloving and highly traditional father. As the story opens, Monty is about to depart on an expected rite of passage for a young gentleman living in Georgian era England: a grand tour of the European continent. This traveling holiday will serve as his indoctrination into high culture and politics before returning to his family’s estate to assume his inherited duties. While Monty’s future promises splendid wealth and privilege, it is very much a gilded cage. Every aspect of his manhood will be dictated for him — and he knows it. The only problem is that Monty’s as anti establishment as a person could be, starting with the fact that he’s an unapologetic “buggerer,” a contemporary term meaning he likes boys as well as girls. Despite homosexuality being outlawed in England during this era, Monty doesn’t seem to mind who knows about his preferences, perhaps feeling immune to any legal consequences thanks to his title and position. For his father however, it is a source of recurring humiliation.

In order to keep Monty’s wild side under control, his father decides he will be accompanied to Europe by a strict chaperone named Mr. Lockwood; his younger sister Felicity, whom he barely tolerates; and his best friend Percy, with whom he’s secretly in love but who’s mixed-race heritage has made him a social pariah. While Mr. Lockwood intends to keep the young lord away from drink, gambling and debauchery, Henry manages to steal away from a banquet held at the French palace of Versailles with a royal courtesan. Their sexual encounter is interrupted by the woman’s lover — the former French prime minister — with whom Monty had a previous unpleasant encounter. To spite the man, Monty steals a small box from his desk, the contents of which inadvertently launches he, Percy and Felicity on a cross-continent treasure hunt with French assassins close on their heels. 

While The Gentleman's Guide to Vice and Virtue perhaps relies too much on Murphy’s Law — whatever can go wrong, will go wrong — it is an enjoyable and often moving romp. Monty is a hedonistic rogue, but also a fascinating narrator who reveals himself to be unexpectedly kind, passionate and damaged. His begrudging love for his traveling companions — he’s a man who outwardly eschews just sentimentality — is also his redemption. In the end, all three main characters buck the norms of their society: Monty due to his sexuality; Felicity due to her gender; and Percy due to his racial background. The ending of the book, while probably unlikely for real people of the 18th century, will certainly appeal to the more egalitarian audiences of the 21st century and is thus quite satisfying.

Mackenzi Lee’s The Lady's Guide to Petticoats and Piracy is the lively sequel to her best selling young adult novel, The Gentleman’s Guide to Vice and Virtue. The story is told from the perspective of Penelope Montague, the intellectual daughter of an abusive English Lord and sister to Henry “Monty” Montague, an aristocratic drunkard, fop and buggerer (to use the 18th century terms). Penelope and her party-boy brother couldn’t be any different if they tried, and the first book did an excellent job of showing both of their strengths and weaknesses as they became reluctant allies on a cross-continent adventure. Although Penelope played a supporting role in The Gentleman’s Guide, The Lady's Guide to Petticoats and Piracy is entirely her story.

When last we saw Penelope, Monty, and Monty’s lover, Percy, they were sailing with pirates in the Greek Isles, runways from their privileged but stifling places in English society. The Lady's Guide to Petticoats and Piracy picks up several years later. Penelope’s working for a kindly Scottish baker and has ambitions to become a physician at a time when being a midwife was the closest a woman could come to a medical career. After suffering numerous rejections from universities, a sympathetic physician encourages Penelope to reach out to Alexander Platt, a brilliant but unconventional doctor. This is a thrilling prospect for Penelope who has followed Platt’s career for years. In an unbelievable coincidence, Platt also happens to be engaged to Penelope’s former best friend, Johanna Hoffman. Penelope leaves for Austria in the company of a female pirate / bodyguard called Sim, who wants access to the Hoffman estate for reasons unknown. 

The rivalry between Penelope and Johanna is one of the best things about this book. As girls, they used the Montague’s sprawling estate as a backdrop for games about world exploration, becoming famous scientists and raiding lost temples. Then they grew up. Penelope remained serious and nebbish while Johanna became a “proper lady,” complete with frilly dresses, elaborate hairdos and an utter dependence on men. Although Penelope and Johanna manage to forgive each other for past transgressions, they still disapprove of each other’s life choices. Penelope considers Johanna silly and pretentious, and Johanna finds Penelope elitist and mean-spirited. 

Penelope‘s introduction to Dr. Platt is also a wake up call. The rogue physician is not only a drug addict, but not nearly as open minded as Penelope fantasized. Not only is he using Johanna for her wealth and social position, but to gain access to the scientific journals of her late mother, a woman who successfully bucked convention and became that world explorer Penelope and Johanna once fantasized about. Sim also has an interest in the journals, but it’s not until Johanna disappears just before her wedding that the importance of these writings becomes clear.

In many ways, The Lady's Guide to Petticoats and Piracy is superior to its predecessor with a more lively pace and a roster of interesting characters. McKenzi Lee does it skillful job making this Penelope‘s book, using Monty and Percy sparingly, and authentically depicting the roles and frustrations of European women of the Georgian Era. The hardest thing for Penelope to accept is just how stacked the system is against women — even women of privilege. Denied the freedom of education, movement, economics, and even marriage, the only thing Penelope has under her control is her intellect. And she uses it as often and as effectively as she can. 

Lee reminds the reader that women come in different forms and that they can be just as sexist towards each other as men. Whether it’s Penelope the bookish intellectual; Johanna the disgraced heiress; or Sim the roughhewn daughter of a pirate king; they all have skills and values they come to appreciate in each other... but not right away. On the downside, The Lady's Guide to Petticoats and Piracy suffers from too much coincidental happenstance, such as the aforementioned engagement between Johanna and Dr. Platt. (This was a problem with The Gentleman's Guide, too.) The ending also relies on a deus ex machina plot device which is never a satisfactory way to end any book. Regardless, there’s a lot to like here. Add this one to your reading list.

RELATED: Review of The Gentleman's Guide to Vice and Virtue | Historical Young Adult Collection