Will Grayson, Will Grayson is a very good book, very good book.  

Let’s just get that out of the way early so any criticism I present will seem paltry in comparison.  The novel is smartly written and deals sensitively with a topic that’s probably more of an issue with image-conscious teens than adults – having an openly gay best friend.

As the curious title might imply, the story is told by two boys, both named Will Grayson, who live in the Chicago area. The first Will Grayson (let’s call him Will #1) is a likable but timid guy who always tries to do the right thing but can quickly lapse into self-recrimination whenever it brings unwanted attention to himself. His timidity probably isn’t helped by the fact that his best friend is a giant of a young man, ironically called “Tiny,” who’s not only a football star but is unabashedly gay with loud moments of great drama.  Will #1’s relationship with Tiny goes all the way back to elementary school. Even in those early days, Tiny possessed a level of courage and self-confidence that produces from Will #1 envy, admiration and embarrassment.  Will #1’s hypocrisy often makes life with Tiny a challenge.

Will #2 is an inner-city kid who has struggles of his own. He tries to manage both his depression and his homosexuality by keeping himself isolated from most other people. His difficulty with other people has prompted Will #2 to construct an elaborate online relationship with an unseen boy named Isaac. Can you see trouble a-brewing here?  It turns out that “Isaac” is the creation of a female classmate who is angered by Will #2’s disinterest in her and has made it her personal quest to out him. Will #2 discovers the deception when he agrees to finally meet “Isaac” and finds himself standing in the doorway of a porn shop in a seedy Chicago neighborhood. This is where he encounters – purely by chance – the other Will Grayson. Will #2 confides his humiliation to the stranger with the same name who, being an inherently empathetic person, responds kindly.  It is through Will #1 that Will #2 meets Tiny, whose undying sense of romance manages to pull the boy out of his dark funk and experience affection with a real person.

The rest of the novel deals with the intertwined relationships between these characters, set against the backdrop of an autobiographical play Tiny is producing for his high school.  The play contains caricatures of many of his friends, including both Wills, which is both revealing and uncomfortable for all parties.

The novel is refreshing in that it avoids the usual coming-of-age or tortured-soul themes that often mark novels on this topic. Although Tiny’s flamboyant behavior is often a source of embarrassment to his friends, they never persecute him for it. Likewise, when Will #2 begins to come out to others, he finds most of his friends and his mother to be very supportive. This may not be a reality enjoyed by many American gay youth, but it is a happy possibility that may give some hope.  

The book is written in first person with alternating chapters written by the respective Wills. Authors John Green and David Levithan do a good job of giving both boy a separate and distinctive voice, mainly because each wrote a Will independently of the other. If there was one off-putting thing about this technique, it was Will #2’s voice which is written almost entirely in “cyber speak.”  While it is true that a disturbing number of teenagers believe that “what” is spelled without an “h” and that capital letters don’t exist at all, reading ten chapters of this proved irksome.  I kept wanting to send Will #2 to remedial English class.

This being said, the authors were spot-on in their characterizations of modern teens.  Even the cruel deception that Will #2’s classmate perpetrates could be lifted right off the front page of a modern newspaper (...uh, make that the homepage of a news websites.) One thing that did surprise me (I won’t use the word troubled here), was the virtual lack of any relationship between the two Wills. Once they have their chance encounter in the porn shop, and a touching moment of spontaneous bonding on the street, the two characters never see each other again until the last pages of the book. The boys acknowledge the weirdness of having the same name and being drawn through circumstances to a place neither of them would normally go, but then the happenstance seems to be forgotten. I point this out because it seems almost as though the book is miss-titled. By the time the Wills meet, the book is really about Tiny.  

​Still, all things considered, Will Grayson, Will Grayson is a mesmerizing novel that I had a hard time putting down.  It’s worthy of all the kudos its received from other critics and I personally look forward to other titles from these authors.  

All June, Bookshop.org is celebrating Pride Month by offering 15% off on select titles. I have curated my own selections for Laughing Boy Books, concentrating on LGBTQ titles that intersect with nerd genres such as science fiction, fantasy, horror, dystopian, myth and legend and select young adult. 

The 15% discount applies to any of the titles shown below and is valid through June 30, 2026. Use code Pride26 at checkout. Discount off list price. Excludes ebooks.

RELATED FEATURES: LGBTQ |Quinton's Curious Mind Book Series | Pride on the Big Screen | How Tim Drake Reclaimed the Gay Robin Story | 

Breaks is a beautifully drawn and written graphic novel series by Emma Vieceli and Malin Ryden. While ostensibly an LGBTQ story about a damaged teen living in the UK who's trying to get by in high school, it's actually much more about bullying — and the regret of bullying. It's a thoughtful and well-executed story with engaging characters and a more mature tone.

I read the first two volumes of the series in 2020 during the height of the pandemic (amazing how much reading I got done that year!) but the books actually date back to 2017. Now they're being reissued with a release date in March — and I'm delighted to learn that there's a Volume 3 which was published in 2024! I'll review that in the near future.

Because I love these books so much, I wanted to give them a special shout out here. Each book is summarized below with ordering links. Enjoy!

​Read my interview with Emma Vieceli here >>

BREAKS, VOLUME 1: Cortland Hunt has made some dangerous mistakes. Now he's waiting quietly for those mistakes to catch up with him. Ian Tanner coasts through life denying the spark of anger beneath his laid back exterior. When school politics and personal lives become a battleground, the pair find that what they share may just be their only safe haven. 
Breaks is the story of two young men discovering who they were, who they are, and who they will become. It's a love story . . . but a bit broken.

BREAKS, VOLUME 2: Ian and Cortland are all too aware that the bubble they've made for themselves can't last. Shifting relationships and tested friendships may be the least of their worries, though, as they learn more about each other and the pasts they'd rather leave behind. Familial legacy, fragile ambition and potentially devastating secrets; their budding relationship is going to need a stronger foundation than secrecy if they want to face what life has in store for them together.

BREAKS, VOLUME 3: School is over, adult life beckons, and new beginnings lie before Ian and Cortland as their relationship deepens. But when Ian's father is released from prison, questions of trust and deceit threaten to tear them apart. The boys will walk a dark path together as the shadows of the past try to claim the present. The answers to all their questions will be revealed in this final volume, and some may prove dangerous beyond their wildest imaginings...

RELATED: Quinton's Curious Mind Book Series | LGBTQ | How Tim Drake Reclaimed the Gay Robin Story | Pride on the Big Screen

The Gentleman's Guide to Vice and Virtue by Mackenzi Lee is a historical novel which appeals on many levels. At times, it is a throwback to the sentimental romantic literature of the 18th century (during which it is set), a peep show into the seamier side of the British aristocracy, an institution well practiced at hiding scandal, corruption and basic human compulsions behind wealth, power and rigid class structure. (If you’ve read anything by Jane Austen you will have some sense of how this highly stratified society works.) At times, it has elements of a modern romantic comedy, with three young protagonists trying to navigate family drama while finding their places in society. Finally, it is an awkward coming-out tale for its aristocratic narrator, Henry “Monty” Montague — although the concept of “coming out” would have been unimaginable during his era.

Monty is the eldest son of a rich British nobleman and heir apparent to the old man’s vast wealth, lofty reputation and stifling social duties. By Monty’s own admission, he’s a constant disappointment to his unloving and highly traditional father. As the story opens, Monty is about to depart on an expected rite of passage for a young gentleman living in Georgian era England: a grand tour of the European continent. This traveling holiday will serve as his indoctrination into high culture and politics before returning to his family’s estate to assume his inherited duties. While Monty’s future promises splendid wealth and privilege, it is very much a gilded cage. Every aspect of his manhood will be dictated for him — and he knows it. The only problem is that Monty’s as anti establishment as a person could be, starting with the fact that he’s an unapologetic “buggerer,” a contemporary term meaning he likes boys as well as girls. Despite homosexuality being outlawed in England during this era, Monty doesn’t seem to mind who knows about his preferences, perhaps feeling immune to any legal consequences thanks to his title and position. For his father however, it is a source of recurring humiliation.

In order to keep Monty’s wild side under control, his father decides he will be accompanied to Europe by a strict chaperone named Mr. Lockwood; his younger sister Felicity, whom he barely tolerates; and his best friend Percy, with whom he’s secretly in love but who’s mixed-race heritage has made him a social pariah. While Mr. Lockwood intends to keep the young lord away from drink, gambling and debauchery, Henry manages to steal away from a banquet held at the French palace of Versailles with a royal courtesan. Their sexual encounter is interrupted by the woman’s lover — the former French prime minister — with whom Monty had a previous unpleasant encounter. To spite the man, Monty steals a small box from his desk, the contents of which inadvertently launches he, Percy and Felicity on a cross-continent treasure hunt with French assassins close on their heels. 

While The Gentleman's Guide to Vice and Virtue perhaps relies too much on Murphy’s Law — whatever can go wrong, will go wrong — it is an enjoyable and often moving romp. Monty is a hedonistic rogue, but also a fascinating narrator who reveals himself to be unexpectedly kind, passionate and damaged. His begrudging love for his traveling companions — he’s a man who outwardly eschews just sentimentality — is also his redemption. In the end, all three main characters buck the norms of their society: Monty due to his sexuality; Felicity due to her gender; and Percy due to his racial background. The ending of the book, while probably unlikely for real people of the 18th century, will certainly appeal to the more egalitarian audiences of the 21st century and is thus quite satisfying.

Mackenzi Lee’s The Lady's Guide to Petticoats and Piracy is the lively sequel to her best selling young adult novel, The Gentleman’s Guide to Vice and Virtue. The story is told from the perspective of Penelope Montague, the intellectual daughter of an abusive English Lord and sister to Henry “Monty” Montague, an aristocratic drunkard, fop and buggerer (to use the 18th century terms). Penelope and her party-boy brother couldn’t be any different if they tried, and the first book did an excellent job of showing both of their strengths and weaknesses as they became reluctant allies on a cross-continent adventure. Although Penelope played a supporting role in The Gentleman’s Guide, The Lady's Guide to Petticoats and Piracy is entirely her story.

When last we saw Penelope, Monty, and Monty’s lover, Percy, they were sailing with pirates in the Greek Isles, runways from their privileged but stifling places in English society. The Lady's Guide to Petticoats and Piracy picks up several years later. Penelope’s working for a kindly Scottish baker and has ambitions to become a physician at a time when being a midwife was the closest a woman could come to a medical career. After suffering numerous rejections from universities, a sympathetic physician encourages Penelope to reach out to Alexander Platt, a brilliant but unconventional doctor. This is a thrilling prospect for Penelope who has followed Platt’s career for years. In an unbelievable coincidence, Platt also happens to be engaged to Penelope’s former best friend, Johanna Hoffman. Penelope leaves for Austria in the company of a female pirate / bodyguard called Sim, who wants access to the Hoffman estate for reasons unknown. 

The rivalry between Penelope and Johanna is one of the best things about this book. As girls, they used the Montague’s sprawling estate as a backdrop for games about world exploration, becoming famous scientists and raiding lost temples. Then they grew up. Penelope remained serious and nebbish while Johanna became a “proper lady,” complete with frilly dresses, elaborate hairdos and an utter dependence on men. Although Penelope and Johanna manage to forgive each other for past transgressions, they still disapprove of each other’s life choices. Penelope considers Johanna silly and pretentious, and Johanna finds Penelope elitist and mean-spirited. 

Penelope‘s introduction to Dr. Platt is also a wake up call. The rogue physician is not only a drug addict, but not nearly as open minded as Penelope fantasized. Not only is he using Johanna for her wealth and social position, but to gain access to the scientific journals of her late mother, a woman who successfully bucked convention and became that world explorer Penelope and Johanna once fantasized about. Sim also has an interest in the journals, but it’s not until Johanna disappears just before her wedding that the importance of these writings becomes clear.

In many ways, The Lady's Guide to Petticoats and Piracy is superior to its predecessor with a more lively pace and a roster of interesting characters. McKenzi Lee does it skillful job making this Penelope‘s book, using Monty and Percy sparingly, and authentically depicting the roles and frustrations of European women of the Georgian Era. The hardest thing for Penelope to accept is just how stacked the system is against women — even women of privilege. Denied the freedom of education, movement, economics, and even marriage, the only thing Penelope has under her control is her intellect. And she uses it as often and as effectively as she can. 

Lee reminds the reader that women come in different forms and that they can be just as sexist towards each other as men. Whether it’s Penelope the bookish intellectual; Johanna the disgraced heiress; or Sim the roughhewn daughter of a pirate king; they all have skills and values they come to appreciate in each other... but not right away. On the downside, The Lady's Guide to Petticoats and Piracy suffers from too much coincidental happenstance, such as the aforementioned engagement between Johanna and Dr. Platt. (This was a problem with The Gentleman's Guide, too.) The ending also relies on a deus ex machina plot device which is never a satisfactory way to end any book. Regardless, there’s a lot to like here. Add this one to your reading list.

RELATED: Review of The Gentleman's Guide to Vice and Virtue | Historical Young Adult Collection

On the verge of Halloween, let’s dive into the shadowy, mysterious world of Carmilla, a novella by Joseph Sheridan Le Fanu, a 19th century author known for his works of gothic horror and mystery. Written as a newspaper serial between 1871 and 1872, Carmilla is one of the earliest known works of vampire literature, predating Bram Stoker's Dracula by a good 25 years. So, let's sink our fangs into this lesser-known yet profoundly influential novella.

Carmilla embodies the quintessential elements of Gothic fiction: supernatural figures, old castles, dark and rambling forests, and superstitious townsfolk. The story unfolds in an Austrian castle, where a young woman named Laura lives a lonely, isolated life with her wealthy and widowed father. But everything changes when a carriage accident outside their home introduces them to Carmilla, a girl of Laura's age. Mysteriously, Carmilla bears a striking resemblance to a girl Laura dreamt about in her childhood. From the get-go, there's a magnetic pull between the two, hinting at the exploration of sexuality that makes Carmilla so groundbreaking.

Carmilla isn't just any vampire—she's the prototypical example of the lesbian vampire. Her relationship with Laura is emotionally intense and, theoretically, sexually charged. (It was the Victorian era, so don’t expect any overt sexuality within the text!) Unlike the male vampires of the era, Carmilla is deeply involved with her victims, establishing a mutual connection that defies the negative stereotypes of lesbianism prevalent in the 19th century. Le Fanu's portrayal of women challenges the Victorian view of women as mere possessions.
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As the story unfolds, Laura begins to notice Carmilla's eccentricities. She never joins in household prayers, sleeps much of the day, and seems to sleepwalk outside at night. Meanwhile, young women in nearby towns begin dying from a mysterious malady. Laura herself suffers from nightmares featuring a large, cat-like creature leaping onto her bed, and her health starts to decline. 

In a quest for answers, Laura and her father journey to a nearby town to seek medical help. En route, they uncover an old tale of a girl who suffered in a similar way as Laura after a mysterious girl named Millarca came to stay with the family. The chilling revelation comes to light that Carmilla and Millarca are anagrams of the same name—and a vampire in disguise.

The tale reaches its climax with the intervention of a legendary vampire hunter who locates Carmilla's tomb and destroys her while she sleeps, immersed in blood. Laura's father takes her on a year-long Italian tour to help her recover, but the trauma lingers. Carmilla leaves an indelible mark on vampire lore, influencing countless adaptations over the years.

In 2023, Dark Horse Comics released Carmilla: The First Vampire, a fresh take set in 1990s New York City. Written by Amy Chu with artwork by Soo Lee, this graphic novel integrates snippets from the original story as the main character investigates a series of murders. The graphic novel went on to win the Bram Stoker Award for Superior Achievement in a Graphic Novel..

​So, if you haven't yet ventured into the eerie, seductive world of Carmilla, now's the time. It's a tale that not only entertains but also challenges societal norms and explores the complexities of human relationships. Happy reading!

RELATED FEATURES: Horror Book Collection | Supernatural Book Collection | Review: Summer Shadows Book 1 | The Bram Stoker Novel That Inspired The Mummy

What If It's Us is a LGBTQ teen novel about two boys who have a chance encounter on the streets of New York City and spend the rest of their summer obsessing over each other. It's also a bit of a cautionary tale about the pitfalls of dating your friends... as by the end of the book all the characters are hooking up more freely than Rachel, Ross, Joey, Phoebe, Chandler and Monica. And yes, this causes problems.

The main characters are Arthur and Ben. Arthur's just in the city for the summer, doing an internship at his mother's high-powered law firm. He does very little work as he's more interested in Instagram stalking his friends back home, trying to score tickets for the HAMILTON Broadway Show, and checking out cute guys. While making a coffee run for the law firm, he runs into Ben on the street. Slightly older and much more experienced, Ben's on his way to the post office to mail off a box of belongings to his ex-boyfriend, Hudson. Arthur strikes up a conversation, but before he can ask for the stranger's name and contact info, Ben vanishes. The only clue Arthur has to his identity is a crumpled up mailing label with Hudson's name on it.

Both guys regret not learning more about the other, but Arthur takes it upon himself to begin a 21st century style investigation via social networking and web-stalking. Against the odds, he manages to locate Ben. But their reunion is still fraught with difficulties. Ben's not quite over Hudson... and Arthur's insecure and jealous. Plus, the clock is running out and Arthur will soon have to return home to Georgia.

The book is co-written by Becky Albertalli and Adam Silvera. The writing style, with each author assuming the voice of one of the characters, reminded me of Will Grayson, Will Grayson. Frankly however, I think it was done more effectively in that book than this one. While the two voices are distinct and nicely rendered, there's a lot of repetition of plot which slows down the action. Also, Arthur's whininess and obsession with pop culture becomes tiresome after a while. The latter issue even seems like fan-pandering. While putting constant modern day references, tons of emojis, teen slang, etc. into a book might connect with youth reading it in 2018, it will definitely date the book in the years to come. 

Overall, I enjoyed the book but the love story was the least interesting part for me. The first third of the novel, before the boys know who the other person was, is actually more intriguing. We've all had those chance encounters with others that seem to have promise but are then cut short. And our ignorance about who the other person actually is allows us to build our own stories about them. Romantic Arthur fantasizes that Ben will be a knight in shining armor who will heroically rescue him from his lingering virginity. Ben wonders if Arthur will the be "true love" he's been looking for but seems to keep sabotaging. While the quest for each other isn't enough to maintain the drama for the entirety of the novel, finding each other just kind of reinforces how incompatible they actually are yet I don't feel the book really addressed this. Instead, we get a "everything's OK" ending that really does feel like a FRIENDS episode. 

I liked Abertalli's Simon vs. the Homo Sapien Agenda much more, and I liked Silvera's voice for Ben more than Albertalli's voice for Arthur. But, that being said, What If It's Us is still a fun rom-com-style ride. 

RELATED: LGBTQ Book Collection | LGBTQ YA Collection on Bookshop.org

MY ORIGINAL REVIEW OF THE NOVEL:

Within the first paragraph of Maggie Stiefvater's The Raven Boys, I was worried I had made a mistake. After all, the first things Maggie tells us about her female protagonist, Blue Sargent, is that she comes from a long line of psychics and that it's been foretold by said psychics that she'll eventually kill her true love with a kiss. Poor Blue has grown up with this grim specter and it's become even more frightful now that she's 18 and seriously interested in boys. At this point, I admit that my cynicism for young adult fiction took over. 

Ah shit, I thought, I just spent money for another tedious YA paranormal romance. There will be nothing for me in this novel but a rising sense of irritation.

Fortunately, I was dead wrong. 

The Raven Boys turned out to be a highly engaging novel which both surprised and pleased me by not indulging in the usual YA paranormal tropes about a demure girl with special powers who's loved by a contingent of dangerous, damaged bastards but is afraid to love them back. In fact, props to Stiefvater for not only providing authentic male characters, but also presenting young male culture as being both supportive and welcoming (because it can be, you know). 

The meat of the novel revolves around Blue's family gift and its connection to a mysterious energy corridor called a ley line which runs near her hometown of Henrietta, Virginia. Blue's not overtly clairvoyant  but when she visits the ley line on with her aunt on St. Mark's Eve — a night when the spirits of those who will die in the next year march by — she has a ghostly vision of a young man who identifies himself as "Gansey." As it turns out, "Gansey" is Richard "Dick" Campbell Gansey, III, a wealthy student at the prestigious Aglionby Academy. The students at the all-male prep school are cumulatively known as "raven boys" by the Henrietta natives who view them with a mixture of intolerance and envy. Blue would normally eschew "raven boys," partly because of their reputation, partly because of that whole I-will-kill-you-with-a-kiss thing. Instead, she's drawn into Gansey's circle and his obsessive quest for a legendary Welsh king called Gwendower he swears is buried someone along the ley line. According to myth, anyone who awakens the sleeping king will be granted a supernatural favor. Gansey's Gwendower fixation and Blue's ominous vision of the boy eventually culminate in an uneasy partnership shared by three other Aglionby students and — unbeknownst to all of them — their unscrupulous Latin professor.

Stiefvater's prose is rich and highly atmospheric, sometimes straying close to poetry in a way reminiscent of Neil Gaiman. Her vision of the fictional Henrietta, a southern town curiously populated by powerful psychics and affluent schoolboys, becomes a fascinating backdrop for a variety of subplots. Stiefvater should also be complemented for tying up enough loose threads to make The Raven Boys a satisfying novel on its own while simultaneously leaving enough unresolved so the reader is craving the next book in the cycle.

​Check this one out!

RELATED: Review of The Dream Thieves: The Raven Cycle Book 2

REVIEW OF THE RAVEN BOYS: THE GRAPHIC NOVEL

The Raven Boys Graphic Novel, adapted by Stephanie Williams and illustrated by Sas Milledge, breathes visual life into Maggie Stiefvater's bestselling YA supernatural fantasy, The Raven Boys. Originally published in 2012, the novel embarked readers on a mesmerizing journey through The Raven Cycle, a four-book saga steeped in myth and mystery. This graphic novel adaptation, released in August 2025, seeks to capture the enchantment and suspense that endeared the original to countless fans.

Williams's adaptation is a testament to the power of storytelling through visuals. The necessity of condensing Stiefvater's intricate plot into a graphic format inevitably simplifies certain elements, akin to a book being translated into a film. As a result, some of rich complexities, especially the nuanced relationships between the Aglionby Academy students—Gansey, Noah, Ronan, and Adam—and Blue, the girl entwined in their quest, are somewhat diminished. Despite this, the core narrative remains intact: a slowburn quest to find the legendary Welsh King Glendower and the looming prophecy over Gansey's tragic fate.

Sas Milledge's artwork employs heavy ink work and a limited color palette, perfectly complementing the novel's dark supernatural plot mixed with subplots about abuse, grief, trauma and murder. While Milledge's artistic interpretations may diverge from what readers of the original novel might have imagined, this divergence adds a unique dimension to the story, offering fresh perspectives on beloved characters.

Notably, the graphic novel retains the suspense and surprising twists that captivated readers in Stiefvater's original work. Whether you're a first-time reader or a long-time fan, this adaptation promises an engaging experience, allowing you to rediscover the magic and mystery of The Raven Boys through a new lens.
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RELATED: Reviews of The Raven Boys (novel and graphic novel) |Review of The Dream Thieves: The Raven Cycle Book 2  |  Review of Blue Lily, Lily Blue: The Raven Cycle Book 3 | Review of The Raven King: The Raven Cycle Book 4  |  Supernatural Book Collection | Paranormal Book Collection

If you're in search of an enthralling graphic novel that seamlessly blends mystery, romance, and the supernatural, look no further than Summer Shadows, published by Dark Horse Comics. The story revolves around Nick Landry, a young gay man from the UK, who embarks on a journey to the fictional Greek island of Avraxos in search of his ex-boyfriend, Anthony. Their unexpected breakup has left Nick in a whirlwind of emotions, unable to move on. Driven by a cryptic letter from Anthony, Nick is convinced that his ex is in dire trouble, setting the stage for a gripping adventure on the sun-drenched beaches of the Mediterranean. 

As the plot thickens, we meet Alekos Kourkoulos, a Greek coast guard officer with his own agenda—finding a missing vacationer. When their paths intersect, Nick and Alekos realize that both missing person cases are linked to a mysterious black yacht anchored offshore. Rumored to belong to someone with immense wealth, the yacht holds a status akin to diplomatic immunity, leaving Alekos's law enforcement contacts puzzled and unable to act. This twist of fate pulls Nick further into a web of intrigue and danger.

The island locals add another layer to the narrative, warning Nick to leave before it’s too late, hinting at an unnamed terror. Meanwhile, others seem to be in the thrall of the yacht's enigmatic owner, Hylas—a impossibly handsome and strangely charismatic figure. Hylas's minions procure young men for extravagant parties aboard the yacht, filled with drugs, alcohol, and hedonistic pleasures. Despite forming a physical relationship with Alekos, Nick remains emotionally tethered to Anthony. Things take a darker turn when Nick becomes convinced he spots Anthony at one of these infamous parties, adding urgency to his quest.

The story reaches its crescendo when Nick receives an invitation to Hylas's infamous "Festival of the Blood Moon" on a secluded, private island. Veronica, Hylas's personal assistant, reveals to Nick the unimaginable truth: they are vampires, Anthony is one of them, and the festival is a trap. Despite her allegiance to Hylas, Veronica shows compassion for Nick’s heartbreak, urging him to leave. Undeterred, Nick devises a plan with Alekos and supportive locals to escape the island with Anthony. The Festival of the Blood Moon turns into a nightmare, with human guests falling victim to the vampires. Thanks to Veronica's aid, Nick escapes, but not before a chilling confrontation with the undead Anthony. 

Summer Shadows is a well-crafted comic book series with rich characterizations and engaging dialogue that draw readers into its world. The interconnected subplots and backstories add depth and intrigue, while the readers' sympathy for Nick’s broken heart is palpable, even as they wish he’d see the truth sooner. Set against the enchanting backdrop of the Greek Isles, the novel weaves together the romance of ancient myth with the stark realities of the super-rich and powerful. Ricardo Cabral's pen and ink drawings, coupled with bold color schemes, provide a stylish aesthetic perfect for a vampire tale. While the book concludes with a satisfying ending, future encounters with Hylas and his coven are upcoming as Summer Shadows is part of an ongoing series.

RELATED FEATURES: LGBTQ Book Collection  |  Horror Book Collection  |  Supernatural Book Collection

Organized as a series of letters written to an unnamed person, Stephen Chbosky's The Perks of Being a Wallflower  walks us through the tumultuous freshman year of a teen named Charlie. The protagonist is writing these missives to someone he doesn't even know, partly because he's lonely, partly because he's codependent, and partly because he has a few things he needs to get off his chest. I suppose its his version of spilling his guts to a bartender, someone who's disconnected from the action and impartial about Charlie's role in it all. And the reader gets to come along for the ride.

Now this book isn't plot-driven and I know some readers hate it when a story takes a very non-linear course without a discernible beginning, middle or end. However, I enjoy books like this and Chbosky does a good job of setting up some early points of tension and then building on them as the book progresses. This all starts with Charlie recounting his grief when his best friend from junior high commits suicide. Charlie feels like he's the only person still grieving the loss and this colors a lot of the other things he experiences. It also paints the protagonist as an unusually sensitive kid. He cries a lot — and I mean a lot! He doesn't seem to be embarrassed about how easily he's moved to tears and initially we're not sure why he's so fragile. We do know that he suffered another loss early on when his beloved aunt Helen was killed in an automobile accident the day before his birthday. While Charlie does have a supportive family, it's difficult for them to understand or even effectively deal with his daily dramatics. What's worse is that he feels like he's being slowly abandoned. His older brother has left for college and his sister's about to follow suit. On top of it all, Charlie's in a new school where he's quickly pegged as a freak. 

Still, Charlie begins to reach out. His language arts teacher is so impressed with his writing ability that he piles on extra assignments and gives the boy a stack of classic novels to read — all of which results in a deep friendship between the two. But things really begin to turn around when Charlie meets Samantha and Patrick, a feisty step-brother and sister duo who take him under their collective wings and provide the nonjudgmental friendship he really desires. Both graduating seniors, Sam and Patrick introduce their sheltered charge to the antics of the Rocky Horror Picture Show, high school parties, hangovers, hash brownies and even his first romantic encounters. But none of this is meant to corrupt the boy. There's true affection between the three friends. Unfortunately, Charlie's so socially awkward that he doesn't know how to be a good friend in return. He stays silent when he should speak up. He mistakes lying for being supportive; and when truthful he's often tragically undiplomatic. Still, the reader can forgive Charlie for all this because we haven't forgotten that there's still something just a little off about him. When it's finally revealed why Charlie's so emotionally damaged, it's handled with great tact and the reader's so invested in the character that you have nothing but sympathy for him. 

The strength of Chbosky's writing is his ability to create a distinctive voice. You can almost hear Charlie resonating through your head with all his inflections, hesitations and peculiarities. He becomes a fully realized person — a surprisingly rare thing in modern young adult fiction which tends to be filled with teenage clichés and stereotypes. This book, like Charlie, is a real keeper.

RELATED: LGBTQ | Young Adult Collection