Dick Grayson, the former Boy Wonder is unstoppable as Nightwing — one of DC Comic's most beloved characters! And Nightwing fans can look forward to plenty of new book releases between now and 2026! Available titles in order of release:

It doesn't seem like thirty years is very long, and in the greater scheme of time, it is barely a hashmark on the cosmic calendar. But a different sense of time seems to apply to pop culture, which by definition is one of humankind's more transitory constructions. Whether it's a book, a song, movie or television show, pop culture has a tendency to age quickly and, for those who follow such things, become the focus for sentimentality almost immediately. Into this strange void in time and space falls the relatively new phenomenon of "science fiction archeology."

Okay, that's a term I totally invented so don't go to your local community college looking to major in this field, you geeks. Let me explain... To me, "science fiction archaeology" is something beyond the fanboy obsession with acquiring irrelevant and moldy movie props often at the cost of tens of thousands of dollars — you know, like almost anything you might find on icollector.com. It now involves an element of tourism, and yes, finding artifacts left behind by production companies decades ago because the prop handlers had no conception that some discarded rubber would mean anything to anyone ever. I first became familiar with the idea of "science fiction archeology" about two decades ago when I read an article in a fan magazine about the props and movie locations left behind in the Tunisian desert after the filming of Star Wars Episode IV. It turned out that remnants from the Lars homestead, Ben Kenobi's home and even those curious dinosaur-like bones C-3PO wandered passed were all still lying there in the hot desert sun... and some adventuring uber-fan had the wherewithal to photograph, document and write about them. This fascination with aging artifacts from a galaxy far, far away eventually culminated into a thriving tourist industry for Tunisia, a country few Americans could even locate on a map.

Into this atmosphere comes what may be the end-all-be-all archaeological (or at least archival) look at the first of these films: The Making of Star Wars: The Definitive Story Behind the Original Film, The Making of Star Wars: The Empire Strikes Back, The Making of Star Wars: Return of the Jedi. All three books were written by the late J.W. Rinzler, who was an executive at Lucasfilm Productions, a film historian and author who specialized in books about the behind the scenes of blockbuster movies . The latter title was just released this past October, and like its predecessor, has the fingerprints of George Lucas all over it. Lucas in a smart man in many, many respects. But when it comes to marketing, he may actually be some kind of crazy genius. He's certainly not oblivious to the fanaticism that surrounds his creation or how it can make true believers spend weeks traveling around the Tunisian wastelands just so they can take a photo of a hole in the ground where Mark Hamill once stood and stared into the sunset. He knew that thousands would pore over the pages of these books (as I did) in rapt awe of the anecdotes and never-before-seen photos of sets, costumes, effects and actors. And he knew that, while we did so, a strange aching dreaminess would sweep through us. In fact, I doubt if these books would have had quite the same appeal had they been released in 1980 when, by pop culture standards, Episode IV and V would have been young. Lucas understands that the passage of time, and with it the increase in sentimentality, gives even old Star Wars a new lease on life.

Considering the amount of detail in all the books, one might be tempted to refer to them as dissertations on the first three Star Wars films. But they are neither dry nor ponderous as you might expect from dissertations, nor are they solely about about how a costume was created or a makeup effect applied — the usual things that are written about science fiction. In fact, and much to my surprise, some of Rinzler's most intriguing parts are about doing business in 1970s Hollywood, where Lucas was often seen as an impetuous upstart by the establishment. Science fiction films that preceded Episode IV were typically slow-paced with heavy, cynical themes that often made them painful to watch. Lucas's concept, of creating a space opera that was heavily derivative of classical mythology, was expected to result in a "little summer movie." Pondering just how wrong the Hollywood execs were and how much they underestimated the human need for heroes and the vanquishing of evil is one of the most satisfying aspects of the books. And if you get tired of reading these 300+ page tomes, just wander through the voluminous photos, some so clear and sharp that you'd swear they had been taken yesterday. You will find your mind wandering, and maybe you will come away wondering what other bits of Star Wars legend are still lying undiscovered in some distant jungle, on an ice floe or in a dusty warehouse.

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OTHER REVIEWS IN THIS SERIES: Red Hood: Outlaws Vol 1 | Red Hood Outlaws: Vol. 2

Red Hood Outlaws: Volume 2 continues the Original DC Stories series by Webtoons, penned by Patrick R. Young and Nico Bascuñán. This installment follows the unconventional trio of Jason Todd, Artemis Grace, and Bizarro, who have traded their criminal pasts for a seat at the Justice League's table. Now operating from the Watchtower, a gleaming space station, the Outlaws face skepticism from the public and the challenge of filling the void left by more esteemed superheroes. Their latest mission pits them against two formidable villains: Medusa, the mythic gorgon whose gaze turns victims to stone, and Mirror Master, a cunning criminal with the power to manipulate reflections.

The heart of Red Hood Outlaws: Volume 2 ​ lies in the personal trials confronting each member of the team. Jason Todd, grappling with his traumatic history, strives to be the leader the Outlaws need while navigating a budding romance with Artemis. His journey is one of introspection and growth, as he balances love, leadership, and the shadows of his past. Meanwhile, Artemis faces her own demons, haunted by her brief and disastrous tenure as Wonder Woman. Her battle against Medusa is complicated by her feelings for Medusa's sister, Euryale, adding layers of emotional complexity. Bizarro, the team's enigmatic powerhouse, harbors a devastating secret about the destruction of his home world. His internal struggle adds depth to his character, showcasing the vulnerability beneath his formidable exterior.

While Red Hood Outlaws: Volume 2  offers an engaging narrative, it stumbles in comparison to its predecessor. The Medusa storyline begins with promise but falters with a rushed conclusion precipitated by Euryale's sudden, unconvincing shift in allegiance. In contrast, the Mirror Master storyline forces the team to face uncomfortable truths, creating a compelling psychological battleground. The conclusion is clever, capitalizing on Bizarro's unique nature where everything is opposite, which turns the tide in an unexpected way.

​Artistically, the second volume maintains the vibrant and eye-catching style that fans have come to love from Bascuñán. The artwork is particularly good at capturing the emotional turmoil in the Mirror Man storyline. Despite its narrative shortcomings, Red Hood Outlaws: Volume 2 ​ remains an enjoyable read for fans of the series. It may not be the strongest outing for the Outlaws, but it continues to explore the complexities of its characters with heart and creativity.

​RELATED FEATURES: Red Hood Collection  |  Jason Todd's Empty Grave  |  Nightwing, Batman and Adoption Problems  |  Superman Collection | Wonder Woman Collection

Robin & Batman: Jason Todd is a new 3-issue series which began in June and will conclude in August 2025. The miniseries revisits the early days of Batman / Bruce Wayne and Jason Todd's partnership in crime-fighting. Written by the Jeff Lemire and illustrated by Dustin Nguyen, this series follows on the heels of last year's DC Vault: Death in the Family: Robin Lives! as another imaginative re-telling that delves into the history of these iconic partners.

The narrative kicks off shortly after Jason’s father is murdered by Two-Face and his step-mother dies of a drug overdose in their apartment bathroom. Like Dick Grayson, Bruce adopts Jason but quickly finds him to be a rash and impulsive thirteen-year-old. Despite these challenges, Batman’s convinced that he can shape Jason into the next Boy Wonder now that Dick has moved onto the Teen Titans and assumed the mantle of Nightwing. However, Bruce’s loyal butler (and best friend), Alfred Pennyworth, harbors doubts about Jason's potential, fearing that his dark impulses might ultimately consume him.

Batman reflects on how Dick, his previous sidekick, benefited from a loving upbringing before losing his parents and becoming part of the crime-fighting duo. In contrast, Jason's lack of familial stability presents a unique set of challenges. At Bruce’s request, Dick attempts to take on the role of a "big brother" to Jason, but this only angers the young man. Jason's complex feelings toward Dick—a mix of admiration and resentment—propel him to prove himself worthy of the sidekick mantle.

The plot darkens even more with the introduction of a mysterious new villain, Wraith, who dons a ghostly white mask and sets his sights on Jason. Wraith perceives Jason as a kindred spirit, foreshadowing the future persona of Red Hood, a vigilante who challenges Batman's cycle of capturing criminals only to see them released back onto the streets. This dynamic adds an intriguing layer to Jason's evolution and hints at the darker path he may ultimately choose.

The first two issues of Robin & Batman: Jason Todd deliver a interesting dive into Jason's tumultuous past and the resulting mental health struggles. This complexity renders him one of the most intriguing Robins in the DC universe. Through Jason's story arc, readers are reminded that despite Batman's power, technology, and wealth, he cannot control everything—a humbling realization for the hero.

Jeff Lemire's script is simple but skillfully dives into Jason's past without becoming preachy. At times, the boy’s trauma is simply conveyed through Nguyen’s often wordless illustrations. While Nguyen's watercolor style might not be everyone's preference (mine included), it complements the "dreamy" quality of Jason's flashbacks and adds depth and emotion to the storytelling.

It’s also nice to see Dick Grayson depicted as a positive male role model for Jason, reminiscent of the original 1980s comics when Dick overcame his dismay at being "replaced" to try and help Jason adapt to his new life. (Dick’s patient, non-judgmental handling of Jason shows he was more ultimately more influenced by Alfred than by Bruce when he was a similar age.) 

The cliffhanger at the end of issue two will leave readers eagerly anticipating the final installment, wondering whether Wraith will successfully steer Jason toward his future as Red Hood — or if Jason has a trick up his sleeve.

​The third and final issue will release at the end of August.

RELATED FEATURES: Red Hood Collection  |  Batman Collection  |  Nightwing Collection  |  Nightwing, Batman and Adoption Problems  |  Jason Todd's Empty Grave | Review: Red Hood & the Outlaws, Vol. 1

The animated shows of the 1980s were memorable... but not always for the best reasons. Whether they were part of early morning Saturday television — a veritable "prime time" for viewing for millions of American children — or syndicated shows that aired after school, animated television was a pop culture staple throughout the decade.  

The animation was hand-produced, making it appear primitive by today’s standards, but also giving it a charmingly crude aesthetic. Often shows served as marketing tie-ins to toy lines, with Transformers and He-Man and the Masters of the Universe being prime examples. As such, storylines were as much about selling action figures as they were about entertaining young audiences and unfolded with simple, formulaic plots that were both familiar and comforting. And perhaps their simplicity was part of their appeal? After all, it didn't take much effort to follow your favorite shows each week — and there was never any ambiguity as to who was going to come out on top. No matter what dastardly scheme Mumm-ra came up with, we always knew Lion-O and the other ThunderCats were going to save the day. 

Invariably, the heroes of 80s animation were children, teenagers or very young adults and were usually pitted against adult villains. With a heavy emphasis on action, adventure, and fantasy, these shows left an indelible mark on an entire generation, shaping childhoods with their imaginative worlds and ultimately influencing movies, television, comics and books up to the present day. 

In fact, of all the ridiculousness that came out of the 80s, these franchises had remarkable staying power. (Consider the live-action Masters of the Universe movie currently under production and starring Nicholas Galitzine!) This is even more remarkable if you consider that most of these shows were only on the air for a few years! Yet today, I can't walk into a bookstore or comic book store without easily finding some rehash of a show I first watched 40+ years ago. As such, I thought it would be fun to collect some of the more current book and graphic novel titles together. 

RELATED FEATURES: Pop Culture Contributions of the 1990s  |  The Golden Age of Movie Novelizations  |  Writing the 1980s Arcade Experience  |  The Timelessness of Serial Storytelling | Gatchaman Returns... Again

I have always been fascinated by the creative process of making movies, video games and television shows. Whether they’re live-action or animated, I will spend hours watching videos and reading about concept and production design, especially for science fiction and fantasy projects. 

Some of this may be my interest in art. Still, just as much may stem from the era I grew up in — the 1970s and 80s — when science fiction and fantasy began to break out of the previous eras of low-budget productions with goofy costumes, poor special effects, and papier-mache sets. If there were any notable progenitors for all this, it was probably the original Star Trek (1966-1969) and Stanley Kubrick’s 1968 film 2001: A Space Odyssey. Both demonstrated that science fiction could be sophisticated, mature, and thought-provoking. Both explored themes dealing with social change, environmental concerns, and the complexities of human nature. And both took their art design and production values more seriously, striving to create (more) distinct and believable narratives about the human exploration of space. While Star Trek’s artistic design, in particular, may look dated to modern eyes, in 1966, it raised the bar for television production values despite the limited budget of a weekly series. The very design of the U.S.S. Enterprise — a dramatic and intentional departure from the cigars-with-fins spacecraft of the previous decades — made the vessel one of the most recognizable in popular culture.

From this point, there was no turning back. Audiences might still have to endure a bad script or poor acting, but they would not endure bad production design as patiently. For example, to this day, my son is more wildly critical of a science fiction show or movie that looks bad than one that is bad… This is perhaps why we’ve never seen eye-to-eye on which Star Wars movies are the superior product. 

If you also appreciate the art of production design, I have curated some of the best books that capture the process, from concept sketches to fabrication and everything in between. 

RELATED FEATURES: Did Moonraker Forecast Our Future in Space? | Welcome to the Jundland Wastes | Workshop of Wonders | Paradise on Middle Earth | Redemption for Star Wars (Redux) | My Most Forbidden Book | 

If you're like me, you spend your work week looking forward to those weekend game and movie nights. Not only are they an opportunity to catch up with friends and family, but you can immerse yourself in different worlds, play out impossible adventures, and build great memories.

But if you and your group(s) are still sustaining yourselves on bags of Doritos and six-packs of Mountain Dew, it may be time to step up your game and actually make creative cooking and baking part of the experience.

For years now, my game and movie partners and I have made our culinary choices part of the overall experience. Toward that end, I've compiled some genre-specific collections of cookbooks below to help you explore new dishes to treat your palette. 

Here are some other related suggestions to enhance your pre-activity meals:

• Coordinate the food to reflect the theme of the night's movie, game or book.
• Take turns choosing the entrée and have your partners coordinate their sides and desserts accordingly.
• Skip an entrée altogether and make one night all about appetizers.
• Create a taco, baked potato or burger bar!
• Cook the food together before any other activities even begin.
• Break out of your comfort zone by trying something really unusual... like cooking authentic medieval dishes before you watch Lord of the Rings.
• Don't forget the drinks! Libations — both alcoholic and non-alcoholic — can add another creative element. Many of the books shown below include drink recipes.
• Add creative table settings, centerpieces or music!

Watch my social media channels for additional tips like these! 

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