I read Brahms Stoker‘s Dracula when I was in college, but only recently found out that this 1903 novel was the basis for Boris Karloff’s The Mummy (1932). Because I love that movie so much, I had to sit down and read this novel right away. 

Like Dracula (1897), The Jewel of the Seven Stars is a horror novel which combines mythology, history, science, and the Victorian belief in spiritualism. The main character is a barrister (lawyer) named Malcolm Ross who is summoned to the estate of a rich nobleman fascinated with ancient Egypt. The nobleman, Abel Trelawny, has been overcome by a seemingly magical sleep. While in this impenetrable slumber, he’s attacked several times by forces unknown which seem intent on procuring a key fastened to his wrist by an unbreakable steel bracelet. Despite the horrific nature of the assaults, no suspect can be identified despite concurrent investigations from Malcolm, the local doctor, and Scotland Yard. Mr. Trelawny’s daughter, Margaret, with whom Malcolm is smitten, can shed no light on the experiences even though she’s the first to arrive on the scene after each attack. As Malcolm continues his investigation, it becomes clear that Mr. Trelawny’s interest in the Egyptian occult, and in particular a female pharaoh called Tera, may have something to do with his troubles. 

Like so many people of the Victorian era, Stoker was fascinated with ancient Egypt and clearly did a tremendous amount of research in preparation for this story. While his attention to detail is amazing, the overly mannered writing style, which often strays into minutia, can make for a difficult read. Told in first person, the reader sees very little of the actual events leading up to the book. Instead, secondary characters provide endless exposition to create the backstory. In this sense, Stoker violates a cardinal rule of a modern author: show, don’t tell. In fact, you might have to drink some coffee or go for a walk if you’re trying to get through some of the ponderous foreshadowing and long monologues.

Stoker was very much a man of his time, and his characters certainly embody his Victorian sensibilities. All the gentlemen are exceedingly proper, honorable and intelligent. They are all keenly interested in understanding the ancient Egyptian mysteries laid before them, while simultaneously considering such things the works of heathens dabbling in realms better left untouched. The central female character of Margaret (who’s almost the only female character), is everything a young Victorian gentleman would want. She’s intelligent (but not more intelligent than the men), exceedingly kind, inquisitive, and in constant and persistent need of rescue. Later in the book, when her mood changes for reasons I won’t go into, and she becomes more withdrawn and haughty, Malcolm acknowledges that he doesn’t find her as attractive as before. To the reader, there’s a clear message here: the woman’s more valuable and relevant when she’s appealing to men.

If you’re reading The Jewel of the Seven Stars as an example of Victorian horror fiction, then you will probably find it interesting, even at times fascinating. If not, you’re going to find it a slog.  In the end, I don’t know that the payoff is worth it. I found the conclusion very anti-climactic. It had a much darker ending when it was originally published, but Stoker went back and changed it a few years later. Perhaps a happy ending was more in keeping with Victorian sensibilities where “civilized” men triumph and “civilized” women get married?

In the end, Dracula's still a better book.

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Sebastian Harlow is the Black Flamingo, a flamboyant and narcissistic thief who gets his kicks stealing mystic artifacts from the wealthy and corrupt of Miami's occult underground. When his latest job leads him to his biggest score so far, the hedonistic outlaw discovers something he wasn't looking for something to believe in.

​How can you go wrong with a glass graphic novel about a gay nihilist/cat burglar who, assisted by a witch, a fallen angel, and a golem who, when not in mud form is a sweet-natured twunk, battle American neo-Nazis for supernatural relics in modern day Florida? Answer, you can't. This book is absolutely ridiculous yet somehow it works beautifully. I hope there's a sequel.

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The graphic novel adaptation of the exciting final adventure of the New York Times best-selling Kane Chronicles trilogy!

He's b-a-a-ack! Despite their best efforts, Carter and Sadie Kane can't seem to keep Apophis, the chaos snake, down. Now, Apophis is threatening to plunge the world into eternal darkness, and the Kanes are faced with the impossible task of destroying him once and for all.

Unfortunately, the House of Life magicians are on the brink of civil war, the gods are divided, and the young initiates of Brooklyn House stand almost alone against the forces of chaos. The Kanes' only hope is an ancient spell that might turn the serpent's shadow into a weapon, but the magic has been lost for millennia.
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When the children of Archer's Peak — a sleepy town in the heart of America — begin to go missing, everything seems hopeless.

​Most children never return, but the ones that do have terrible stories — impossible details of terrifying creatures that live in the shadows. Their only hope of finding and eliminating the threat is the arrival of a mysterious stranger who believes the children and claims to be the only one who sees what they can see. Her name is Erica Slaughter. She kills monsters. That is all she does; she bears the cost because it must be done.

This is a multi volume series that is currently being adapted to a Netflix series.

​Volume 1  |  Volume 2  |  Volume 3  |  Volume 4  |  Volume 5  |  Volume 6  |  Volume 7  |  Volume 8

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